T.C.H. - NEUKOELLNER BERLIN
The opera is considered a strictly coded musical specimen, defined by dogmatic perceptions, of ideological, technocratic and esthetic character. The high cost, the absolute predominance of the star system, the constant competition between music and theatrical expression are some of the main characteristics of dogmatic opera. Is there room for another kind of opera? This and other questions will be the subject of discussion between the speakers and the public.